Professor of Logic

James Brown Celebrity Hot Tub

Eddie Murphy Eddie Murphy
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Delirious, 1983

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“Mr. T! What you doin'? I'm gon' whup yo' ass, Eddie!”

Eddie Murphy was 22 years old when he filmed "Delirious." He was already the biggest star on Saturday Night Live. He was about to become one of the biggest movie stars in the world. And he could do something nobody else could do: become other people so completely that his impressions became more famous than the originals.

The premise is simple: Murphy imagines throwing a party at his house and inviting various celebrities to share his hot tub. What follows is a one-man variety show, a rotating cast of impressions that showcases Murphy's supernatural gifts.

James Brown arrives first. Murphy doesn't just do James Brown's voice—he becomes James Brown's nervous system. The jerky movements. The spins. The screams that seem to emerge from some dimension adjacent to human music. The way Brown seems to be simultaneously performing and having a medical episode. Murphy's James Brown is a controlled explosion, and the audience loses their minds.

Then: Michael Jackson. Stevie Wonder. Mr. T. Each impression is its own universe, with its own physicality, its own rhythm, its own jokes embedded in the recreation.

The Michael Jackson impression would become legendary—and controversial, as Murphy explored Jackson's vocal mannerisms with ruthless precision. The Mr. T is pure physical comedy, all neck and menace. The Stevie Wonder walks the line between tribute and tease.

What separates Murphy from other impressionists is totality. He's not doing funny voices; he's channeling spirits. When Murphy becomes James Brown, there's no Eddie Murphy left. The commitment is complete.

This is what made Murphy a star at an age when most comedians are still doing open mics. Raw talent so obvious it felt like cheating. He could do things with his body and voice that weren't fair, and he knew it, and the audience knew it, and everyone agreed to be amazed together.